Showing posts with label channeling. Show all posts
Showing posts with label channeling. Show all posts

Saturday, March 24, 2012

FINGER JACK A Rare a spirit or force that is said to appear in physical form


FINGER JACK A Rare a spirit or force that is said to appear in physical form
USER: are you nice?
Ovilus X : PAINTING AMELINE, SHH...
 USER: did you follow holly home?
Ovilus X : SHOWN UP, CAUSE WRONG GOOD
 USER: where did you follow me home from?
Ovilus X : AROUND PEOPLE
 USER: what is your name?
Ovilus X : FINGER JACK, PERCENT ELEMENTAL
 ELEMENTAL :
  1. Rare a spirit or force that is said to appear in physical form.
  2. motivated by or symbolic of primitive and powerful natural forces or passions
  3. of or relating to earth, air, water, and fire considered as elements
  4. of or relating to atmospheric forces, esp wind, rain, and cold
 USER: how many spirits?
Ovilus X : KNOWN LIVING
 USER: who did you know living?
Ovilus X : DRAG HISTORY
Ovilus X : NATION RAN, CONTINUED TOOL
 USER: what tool?
Ovilus X : RAPTURE DASH
 RAPTURE: (according to some millenarian teaching) Transport (a believer) from earth to heaven at the Second Coming of Christ.
 DASH: Run or travel somewhere in a great hurry
 USER: what does it mean?
Ovilus X : TESLA SYLLABLES
 TESLA: The unit of magnetic flux density in the International System of Units, equal to the magnitude of the magnetic field vector necessary to produce a force of one newton on a charge of one coulomb moving perpendicular to the direction of the magnetic field vector with a velocity of one meter per second. It is equivalent to one weber per square meter.
 SYLLABLES: A unit of spoken language consisting of a single uninterrupted sound formed by a vowel, diphthong, or syllabic consonant alone, or by any of these sounds preceded, followed, or surrounded by one or more consonants.
USER: what does it mean?
Ovilus X : MASTER FINISH
 USER: the end of time..."master finish"
Ovilus X : SYLLABLES SEVERAL
 USER: how many gods are there?
Ovilus X : UPON NATION
 USER: sure
Ovilus X : CREEK CAMERA
Ovilus X : REMEMBER SLUR
 USER: how many spirits live here?
Ovilus X : SLIGHT LITTLE
 USER: just you?
Ovilus X : FOREIGN BAND; NATION STATEMENT, “SEVERAL FOREVER”
Ovilus X : SYLLABLES PERCENT
 USER: I do not understand help me too?
Ovilus X : PEOPLE SLOWER
 USER: I agree
Ovilus X : THREATEN GARDEN, CONTRITION
 CONTRITION: The state of feeling remorseful and penitent.
(in the Roman Catholic Church) The repentance of past sins during or after confession.

Monday, March 19, 2012

EVP Recording Walk Though


Electronic Voice Phenomena Recording Advice
Here I have outlined below some very basic guidelines to follow when attempting to record EVP.
EVP Recording Procedure
You have made the decision that you would like to attempt to record EVP and you have an audio recorder with an inbuilt or external microphone, what next?
If you would like to conduct experiments in your own home, like many researchers do, always opt for a quiet time of the day when noise contamination is at an absolute minimum.
When choosing an area to record, be sure to take into account any possible noise that may occur and always look out for items such as televisions, computers, mobile phones, barcode scanners and other electrical appliances that could cause interference.
Reducing noise contamination and the risk of electromagnetic or radio interference will make the analysis of your audio recordings much easier and will help to keep your experiments controlled.
Be sure to ask everyone who is taking part in your experiment to remain as quiet as possible.
Waterproof jackets, the shuffling of feet on wooden floors and even so much as somebody breathing heavily can provide much contamination to your recordings.
Always take the common sense approach.
At the start of your recording session it is best practice to always state:
  • The time
  •  Date
  •  location of recording
  •  The name of persons present at the experiment and the type of equipment that you are using before attempting to receive any communication.
This will assist your analysis greatly, as it is very easy to lose track of recordings when conducting multiple experiments regularly. It is also recommended that you note down the weather conditions and the moon phase at the time of recording, sooner or later you may see a pattern emerging of the best times to record. Try making up a data sheet that you can fill in for each seperate recording session.
Now, imagine opening the front door of your home and inviting in everyone and anyone who passes by, sooner or later you are bound to encounter someone who has bad intentions, someone who will attempt to harm you, your home or your family.
Let us assume for a moment that we are indeed communicating with discarnate souls, people who once lived as we are now.
Your recording session has to be treated in exactly the same way, with the possibilty that you are indeed opening a doorway that everyone and anyone may enter.
This is why it is always important to focus on asking for positive communication only when attempting to record EVP.
Please always show the utmost respect to your would be communicators.
Ready to attempt communication?
It is not recommend using recorders set to 'voice activation' mode as there can be a short delay of a second or so when a voice is sensed before your recorder activates, which means the first word of any message picked up could be missed.
It is always good to prepare a list of questions before hand that you would like to pose during your experiments.
Try to initially focus on receiving information such as names, dates and locations as these are all checkable and can help to provide the best evidence.
Although it is nice to receive clear voices with random messages, it is sometimes difficult to work out their relevance without any additional information.
Always ensure that anyone asking questions does so loudly and clearly, as whispers can be mistaken for EVP!!
It is recommended that you leave at least 30 seconds in between questions for a response and try to remain as quiet as possible in that time.
By not leaving enough time in between questions, you risk losing part of any message that you may receive.
If any noise contamination does occur during the recording session, always note down the exact time that it occurs from the recorder's timer or tape counter.
This again will make analysis of your recording much easier.
If you are using a digital recorder, try to record only for a few minutes at a time, before stopping the recorder and then recommencing.
This will break down your recordings into smaller, separate files and will assist your analysis process greatly.
It is important to work on the basis that 1 minute of audio recordings can take up to 1 hour to analyse no matter whether you are using digital or analogue recorders.
Always try to keep your experiments short and controlled as there is no sense in sitting down to analyse hour after hour of audio recordings which can be quite exhausting.
Recordings need to be meticulously analysed and you may find, if you have many hours of recordings, that you are rushing through them.
Rushing the analysis process can be extremely counter-productive.

Audio Analysis Of EVP's

Are you ready to analyse your recordings?

Any audio recorder that has a headphone socket can be connected to a desktop or laptop computer that is equipped with a sound card.
Connect an audio lead from your recorder's headphone socket directly to the microphone socket on your computer and you are ready to go.
Many of the newer digital recorders on the market have the ability to load files to a computer via a USB port.
Your recordings can be analysed sufficiently in software programs such as:
  • Adobe Audition

  • Sony Sound Forge

  • Goldwave

  • Or the free program Audacity

Once your recorder is connected to the microphone socket on your computer, press the record button in your chosen software program and press play on your audio recorder simultaneously, your sound file will now be loading. The volume level that the recorder is set to will determine the decibel level of the sound file that is loaded to the computer. If you find that your recordings are not loud enough after loading them to a computer, simply turn up the volume level on the recorder and reload the audio file.
Now, that your recordings have been loaded to computer, you are now able to listen to them, break them down and save them accordingly.
You can also use features in the software programs such as hiss reduction, noise reduction, amplify and various filters that can be used to enhance the quality of any inexplicable voices contained your files.
These features should be used sparingly and the recordings should be kept as close to their raw state as possible.
Using these features too much on any recording is deemed 'over processing' and can damage your file.
You will know that you have 'over processed' a recording when it becomes difficult on the ear, which is when the 'Undo' feature comes in very handy!
Equally, these features can be extremely useful if used correctly, so please take time to experiment with and learn about the software that you are using.
Much information can also be learnt about your recordings within the software itself with features such as frequency analysis and spectral view.
It is recommend the use of earphones during analysis, although, please be aware of any sudden loud noises that occur during your recordings which could cause damage to your ears.
You will find that over a period of time you will develop an ear for hearing the distinct fast rhythm of an EVP voice and will naturally start to focus on other levels of noise within your recordings that you never noticed previously.
We liken this to listening to someone that speaks with a foreign accent, you may find them difficult to understand at first, but the more you hear them the more you get used to the distinct nature of their voice.
If you find that you have not successfully recorded any inexplicable voices then please persevere, you will find that during experimentation you will gradually receive more and more voices.
Once you capture that first elusive voice, there is no holding back.
For best results, we always recommend recording regularly at the same time of day.
It is very much like opening a doorway and waiting for somebody to walk through.
After their first visit, they will return many times if the doorway is opened regularly, and they may even tell their friends.........
EVP File Classification
It is important to label each EVP file depending on the clarity of the voice.
EVP researcher Dr Konstantin Raudive developed a method of classification in the 1970s that was far too complicated to remain practical.
This was reviewed by researcher Sarah Estep who developed a much more useful classification system that is now used as standard with EVP researchers around the world.
The classification sytem is as follows:
  • Class A: A voice that can be understood without the need for headphones and that people can generally agree on the content.
  • Class B: A voice that requires headphones to hear and not everyone can agree on its content.
  • Class C: A voice that requires much filtering and even by wearing headphones nobody can agree on its content.
Analogue Recorders
Up until the late 90's, analogue recorders were the only means of capturing EVP available to researchers.
From early reel to reel recorders to solid state professional audio recorders, there are many variations available.
It traditionally takes longer to capture EVP on an analogue recorder, but when you do, you will find that the voices are much clearer than that of digital with a higher volume of class A voices.
Many of today's researchers still prefer the use of analogue recorders during their experiments due to the clarity of the voices coming through.
You will find that analogue recordings contain a high level of background hiss, which is where many of the voices can be found during analysis.
We recommend the use of an external mic which should be positioned a few feet from the recorder to avoid the noisy mechanism of the recorder contaminating your recordings.
Always use a fresh tape when starting a new recording session as tapes can get worn over time.
Previous recordings may not be overwritten properly and may bleed through the tape into newer recordings.
Digital Recorders
The digital age is upon us and there are many digital audio recorders available on the market, from basic digital dictaphones to solid state professional digital audio recorders.
Digital recorders are extremely portable and most have an in built microphone. Many of them have a built in flash memory that can give you hours of recording at the touch of a button and files can be managed easily.
We have found that digital recorders are most effective for capturing EVP when used on the lowest quality settings.
These settings appear to generate a higher degree of background hiss which is where many of the voices can be found.
This is much like using white noise as carrier signal for EVP voices to come through.
One of the most talked about digital recorders for recording EVP is that of the Panasonic RR-DR60 IC Recorder.
The RR-DR60 is a voice activated recorder that has shown over time that it is highly effective for capturing EVP.
Inexplicable voices seem to come through on this recorder in abundance, even when used inside a Faraday Cage to rule out external interference.
Unfortunately many of voices captured on the RR-DR60 seem to be extremely distorted and require much work using filtering software.
None the less, these recorders are extremely interesting from a research point of view and many more experiments are required to find out why this recorder is so effective in comparison to other digital recorders.
Unfortunately the Panasonic RR-DR60 is hard to come by these days.
The Sony ICD range of recorders are also highly effective for capturing EVP and like many other digital recorders, can be slipped into your pocket and taken just about anywhere for experimentation purposes.
We recommend experimenting with many different digital recorders and comparing the results.
Digital Recorders
The digital age is upon us and there are many digital audio recorders available on the market, from basic digital dictaphones to solid state professional digital audio recorders.
Digital recorders are extremely portable and most have an in built microphone. Many of them have a built in flash memory that can give you hours of recording at the touch of a button and files can be managed easily.
We have found that digital recorders are most effective for capturing EVP when used on the lowest quality settings.
These settings appear to generate a higher degree of background hiss which is where many of the voices can be found.
This is much like using white noise as carrier signal for EVP voices to come through.
One of the most talked about digital recorders for recording EVP is that of the Panasonic RR-DR60 IC Recorder.
The RR-DR60 is a voice activated recorder that has shown over time that it is highly effective for capturing EVP.
Inexplicable voices seem to come through on this recorder in abundance, even when used inside a Faraday Cage to rule out external interference.
Unfortunately many of voices captured on the RR-DR60 seem to be extremely distorted and require much work using filtering software.
None the less, these recorders are extremely interesting from a research point of view and many more experiments are required to find out why this recorder is so effective in comparison to other digital recorders.
Unfortunately the Panasonic RR-DR60 is hard to come by these days.
The Sony ICD range of recorders are also highly effective for capturing EVP and like many other digital recorders, can be slipped into your pocket and taken just about anywhere for experimentation purposes.
We recommend experimenting with many different digital recorders and comparing the results.
External Microphones
External microphones can be used with any recording device that has an input socket. We utilise many different microphones during experimentation including parabolic microphones. Induction microphones, condenser microphones, dynamic microphones and radio microphones (wireless). It is important to experiment with different types of microphone during research as they can all have their own distinctive sound. Two of the most useful microphones are the parabolic which is used to pick up distant noise and amplify noise that occurs in close proximity, and the radio mic (wireless). We mainly experiment with different microphones using analogue recorders.
Desktop/Laptop Computers
It is possible to record sound directly into a laptop or destop computer via an attached microphone. Many researchers use this method and have succesfully captured many EVP voices recording directly in software such as Adobe Audition. Of course, computers are essential for analysing your recordings and laptops in particular are excellent for field recording.
Inter Frequency
The Inter Frequency method of EVP recording is used by many of today's researchers and was also a favourtie of past researchers such as Friedrich Juregnson, Konstantin Raudive and Raymond Cass. This method involves providing a background carrier noise whilst recording, such as white noise which was traditionally provided by tuning a radio in between channels. Many skeptics believe that the anomalous voices picked up in this way are actually stray radio signals. Interestingly enough we have never come across any cases where music has been recorded using this method, which is the main content of today's radio broadcasts. You can generate various frequency tones for experimentation purposes such as white noise, pink noise and brown noise in software such as Adobe Audition to avoid the need for a radio. It is recommend experimenting with various different frequency tones during research.
Raudive Diode
Konstantin Raudive devised his own method of improving the quality of his EVP recordings. Through experimentation he found that using a Germanium Diode plugged into a recorder instead of a microphone vastly helped improve the quality of the voices. We have found that the Germanium Diode is capable of picking up radio waves and is best utilised in conjunction with a Faraday Cage (see below). You will find that the diode will not pick up your own voice or any noise contamination from your recording area. It is highly recommend experimenting with this device.
Faraday Cage
The Faraday Cage is a very useful tool for EVP research. The cage is utilised to shield your recording equipment and to effectively wipe out the chances of electromagnetic or radio interference. A very good example of a Faraday Cage is the cooking compartment of a microwave oven which is designed to stop microwaves escaping. Try placing your mobile phone inside an unplugged microwave and calling it from a land line. You will find that the signal will not get through. Utilising a microwave for home EVP experiments is an ideal way to ensure that your EVP voices cannot be explained by electromagnetic or radio interference.
Telephones & Answering Machines
There are many reported cases around the world of EVP or anomalous voices appearing on telephone answering machines.
Even in the modern age of digital telephone exchanges where crossed lines and virtually impossible.
There are also many cases of people having telephone conversation with friends or family members who have long since departed this world.
We have had experience of this and are truly fascinated by these other cases.
We would very much like to hear from anyone who has experienced anomalous voices via the telephone for research purposes.
When listening to telephone answering messages always pay particular attention to the start, the end for voices breaking through.
This phenomena seems to occur on both digital and analogue answering machines and there are even cases of mobile world phone messages containing anomalous voices.
We have provided some basic information about EVP recording equipment and recording techniques.
Of course there are many more methods of recording EVP and we recommend experimenting with as many methods as possible.
There is much to learn about the reasons why these voices appear on our recording equipment, so please do not be scared to try something new.
The next breakthrough could be just around the corner!

EVP INFO

www.ghostdatabase.comze.com/wordpress

Electronic Voice Phenomenon
Electronic voice phenomena (EVP) are electronically generated noises that resemble voice communication, just not the consequence from deliberate voice recordings or interpretings. Basic origins of EVP include static, stray radio transmissions, and background noise. Recordings of EVP are oftentimes produced from background sound by expanding the gain (i.e. sensitivity) of the recording gear. Interest in EVP surrounds claims that it is of paranormal origin, though a lot of happenings have had natural explanations including apophenia (detecting significance in insignificant phenomena), auditory pareidolia (interpreting hit-or-miss sounds as voices in one's own language), equipment artifacts, and hoaxes. EVPs are typically brief, and usually the length of a word or short phrase.

History

As the Spiritualism religious movement became prominent in the 1840s–1920s with a identifying belief that the disembodied spirit* of the dead can be got hold of through spiritualists, Modern applied science* of the era including photography were hired by media in an effort to certify contact with a spirit world.
So popular were such thoughts that Thomas Edison was asked in an interview with Scientific American to comment about the possible action of using his inventions to communicate with spirits.
He replied that if the spirits were only capable of subtle influences, a sensitive recording device would allow for a better chance of spirit communicating than the table tipping and ouija boards mediums hired at the time.
  However, there is no indication that Edison ever configured or built a device for such a purpose. Because sound recording became widespread, spiritualists researched using this applied science to establish communication with the dead as well. Spiritualism turned down in the latter part of the 20th century, but attempts to use portable recording devices and modern digital technologies to communicate with spirits continued.

Early Interest

American photographer Attila von Szalay was among the first to try recording what he believed to be voices of the dead as a way to augment his investigations in photographing ghosts. He began his attempts in 1941 using a 78 rpm record, but it wasn't until 1956, after switching to a reel-to-reel tape recorder, that he believed he was successful. Working with Raymond Bayless,  von Szalay conducted a number of recording sessions with a custom-made apparatus, consisting of a microphone in an insulated cabinet connected to an external recording device and speaker. Szalay reported finding many sounds on the tape that could not be heard on the speaker at the time of recording, some of which were recorded when there was no one in the cabinet. He believed these sounds to be the voices of discarnate spirits. Among the first recordings believed to be spirit voices were such messages as "This is G!", "Hot dog, Art!", and "Merry Christmas and Happy New Year to you all". Von Szalay and Bayless' work was published by the Journal of the American Society for Psychical Research in 1959. Bayless later went on to co-author the 1979 book, Phone Calls From the Dead.
In 1959, Swedish painter and film producer Friedrich Jürgenson was recording bird songs. Upon playing the tape later, he heard what he interpreted to be his dead father's voice and then the spirit of his deceased wife calling his name. He went on to make several more recordings, including one that he said contained a message from his late mother.

Raudive voices

Konstantin Raudive, a Latvian psychologist who had taught at the University of Uppsala, Sweden and who had worked in conjunction with Jürgenson, made over 100,000 recordings which he described as being communications with discarnate people. Some of these recordings were conducted in an RF-screened laboratory and contained words Raudive said were identifiable. In an attempt to confirm the content of his collection of recordings, Raudive invited listeners to hear and interpret them. He believed that the clarity of the voices heard in his recordings implied that they could not be readily explained by normal means. Raudive published his first book, Breakthrough: An Amazing Experiment in Electronic Communication with the Dead in 1968 and it was translated into English in 1971.

Spiricom & Frank's Box

  In 1980, William O'Neil constructed an electronic audio device called "The Spiricom." O'Neil claimed the device was built to specifications which he received psychically from George Mueller, a scientist who had died six years previously.
At a Washington, DC, press conference on April 6, 1982, O'Neil stated that he was able to hold two-way conversations with spirits through the Spiricom device, and provided the design specifications to researchers for free. However, nobody is known to have replicated O'Neil's results using their own Spiricom devices. O'Neil's partner, retired industrialist George Meek, attributed O'Neil's success, and the inability of others to replicate it, to O'Neil's mediumistic abilities forming part of the loop that made the system work. However, there is strong evidence to suggest that the recordings of conversations were falsified by O'Neil, specifically with an electrolarynx. The clearly audible vocal fricatives in the recordings, along with the fact that during the hours of recordings O'Neil's and Mueller's voices never overlap (as would happen in normal conversation), support this theory. .
Created in 2002 by EVP enthusiast Frank Sumption for supposed real-time communication with the dead, Sumption claims he received his design instructions from the spirit world.
The device is described as a combination white noise generator and AM radio receiver modified to sweep back and forth through the AM band selecting split-second snippets of sound.
Critics of the device say its effect is subjective and incapable of being replicated, and since it relies on radio noise, any meaningful response a user gets is purely coincidental, or simply the result of pareidolia.

Modern Interest

In 1982, Sarah Estep founded the American Association of Electronic Voice Phenomena (AA-EVP) in Severna Park, Maryland, a nonprofit organization with the purpose of increasing awareness of EVP, and of teaching standardized methods for capturing it. Estep began her exploration of EVP in 1976, and says she has made hundreds of recordings of messages from deceased friends, relatives, and other individuals, including Konstantin Raudive, Beethoven, a lamplighter from 18th century Philadelphia, Pennsylvania, and extraterrestrials whom she speculated originated from other planets or dimensions. The term Instrumental Trans-Communication (ITC) was coined by Ernst Senkowski in the 1970s to refer more generally to communication through any sort of electronic device such as tape recorders, fax machines, television sets or computers between spirits or other discarnate entities and the living. One particularly famous claimed incidence of ITC occurred when the image of EVP enthusiast Friedrich Jürgenson (whose funeral was held that day) was said to have appeared on a television in the home of a colleague, which had been purposefully tuned to a vacant channel.
ITC enthusiasts also look at TV and video camera feedback loop of the Droste effect. In 1979, parapsychologist D. Scott Rogo described an alleged paranormal phenomenon in which people report that they receive simple, brief, and usually single-occurrence telephonecalls from spirits of deceased relatives, friends, or strangers. In 1997, Imants BaruÅ¡s, of the Department of Psychology at the University of Western Ontario, conducted a series of experiments using the methods of EVP investigator Konstantin Raudive, and the work of "instrumental transcommunication researcher" Mark Macy, as a guide. A radio was tuned to an empty frequency, and over 81 sessions a total of 60 hours and 11 minutes of recordings were collected. During recordings, a person either sat in silence or attempted to make verbal contact with potential sources of EVP. BaruÅ¡s stated that he did record several events that sounded like voices, but they were too few and too random to represent viable data and too open to interpretation to be described definitively as EVP. He concluded: "While we did replicate EVP in the weak sense of finding voices on audio tapes, none of the phenomena found in our study was clearly anomalous, let alone attributable to discarnate beings. Hence we have failed to replicate EVP in the strong sense. " The findings were published in the Journal of Scientific Exploration in 2001, and include a literature review. In 2005, the Journal of the Society for Psychical Research published a report by paranormal investigator Alexander MacRae. MacRae conducted recording sessions using a device of his own design that generated EVP. In an attempt to demonstrate that different individuals would interpret EVP in the recordings the same way, MacRae asked seven people to compare some selections to a list of five phrases he provided, and to choose the best match. MacRae said the results of the listening panels indicated that the selections were of paranormal origin. Portable digital voice recorders are currently the technology of choice for EVP investigators. Since these devices are very susceptible to Radio Frequency (RF) contamination, EVP enthusiasts sometimes try to record EVP in RF- and sound-screened rooms. Nevertheless, in order to record EVP there has to be noise in the audio circuits of the device used to produce the EVP. For this reason, those who attempt to record EVP often use two recorders that have differing quality audio circuitry and rely on noise heard from the poorer quality instrument to generate EVP. Some EVP enthusiasts describe hearing the words in EVP as an ability, much like learning a new language. Skeptics say that the claimed instances are all either hoaxes or misinterpretations of natural phenomena. EVP and ITC are seldom researched within the scientific community and, as ideas, are generally derided by scientists when asked.

Explanations and Origins

Paranormal explanations for EVP generally assume production of EVP by a communicating intelligence through means other than the typical functioning of communication technologies. Natural explanations for reported instances of EVP tend to dispute this assumption explicitly and provide explanations which do not require novel mechanisms that are not based on recognized scientific phenomena. At least one study, by psychologist Imants BaruÅ¡s, finds that EVP cannot be replicated under controlled conditions.
  • Natural Explanations
There are a number of simple scientific explanations that can account for why some listeners to the static on audio devices may believe they hear voices, including radio interference and the tendency of the human brain to recognize patterns in random stimuli. Some recordings may be hoaxes created by frauds or pranksters.
  • Psychology and Perception
Auditory pareidolia is a situation created when the brain incorrectly interprets random patterns as being familiar patterns. In the case of EVP it could result in an observer interpreting random noise on an audio recording as being the familiar sound of a human voice. The propensity for an apparent voice heard in white noise recordings to be in a language understood well by those researching it, rather than in an unfamiliar language, has been cited as evidence of this, and a broad class of phenomena referred to by author Joe Banks as Rorschach Audio has been described as a global explanation for all manifestations of EVP. Skeptics such as David Federlein, Chris French, Terrence Hines and Michael Shermer say that EVP are usually recorded by raising the "noise floor" - the electrical noise created by all electrical devices - in order to create white noise. When this noise is filtered, it can be made to produce noises which sound like speech. Federlein says that this is no different from using a wah pedal on a guitar, which is a focused sweep filter which moves around the spectrum and creates open vowel sounds. This, according to Federlein, sounds exactly like some EVP. This, in combination with such things as cross modulation of radio stations or faulty ground loops can cause the impression of paranormal voices. The human brain evolved to recognize patterns, and if a person listens to enough noise the brain will detect words, even when there is no intelligent source for them. Expectation also plays an important part in making people believe they are hearing voices in random noise. Apophenia is related to, but distinct from pareidolia. Apophenia is defined as "the spontaneous finding of connections or meaning in things which are random, unconnected or meaningless", and has been put forward as a possible explanation.
  • Physics
  Interference, for example, is seen in certain EVP recordings, especially those recorded on devices which contain RLC circuitry. These cases represent radio signals of voices or other sounds from broadcast sources. Interference from CB Radio transmissions and wireless baby monitors, or anomalies generated though cross modulation from other electronic devices, are all documented phenomena. It is even possible for circuits to resonate without any internal power source by means of radio reception. Capture errors are anomalies created by the method used to capture audio signals, such as noise generated through the over-amplification of a signal at the point of recording. Artifacts created during attempts to boost the clarity of an existing recording might explain some EVP. Methods include re-sampling, frequency isolation, and noise reduction or enhancement, which can cause recordings to take on qualities significantly different from those that were present in the original recording. The very first EVP recordings may have originated from the use of tape recording equipment with poorly aligned erasure and recording heads, resulting in the incomplete erasure of previous audio recordings on the tape. This could allow a small percentage of previous content to be superimposed or mixed into a new 'silent' recording.
  • Sporadic Meteors and Meteor Showers
  For all radio transmissions above 30 MHz (which are not reflected by the ionosphere) there is a possibility of meteor reflection of the radio signal. Meteors leave a trail of ionised particles and electrons as they pass through the upper atmosphere (a process called ablation) which reflect transmission radio waves which would usually flow into space. These reflected waves are from transmitters which are below the horizon of the received meteor reflection. In Europe this means the brief scattered wave may carry a foreign voice which can interfere with radio receivers. Meteor reflected radio waves last between 0.05 seconds and 1 second, depending on the size of the meteor.
  • Paranormal Explanations
Paranormal explanations for the origin of EVP include living humans imprinting thoughts directly on an electronic medium through psychokinesis and communication by discarnate entities such as spirits, nature energies, beings from other dimensions, or extraterrestrials.

Organizations That Show Interest In EVP

There are a number of organizations dedicated to studying EVP and instrumental transcommunication, or which otherwise express interest in the subject. Individuals within these organizations may participate in investigations, author books or journal articles, deliver presentations, and hold conferences where they share experiences. In addition organizations exist which dispute the validity of the phenomena on scientific grounds. The Association TransCommunication (ATransC), formerly the American Association of Electronic Voice Phenomena (AA-EVP), and the International Ghost Hunters Society conduct ongoing investigations of EVP and ITC including collecting examples of purported EVP available over the internet. The Rorschach Audio Project, initiated by sound artist Joe Banks, which presents EVP as a product of radio interference combined with auditory pareidolia and the Interdisciplinary Laboratory for Biopsychocybernetics Research, a non-profit organization dedicated studying anomalous psi phenomena related to neurophysiological conditions. According to the AA-EVP, it is "the only organized group of researchers we know of specializing in the study of ITC.". Spiritualists, as well as others who believe in Survivalism, have an ongoing interest in EVP. Many Spiritualists believe that communication with the dead is a scientifically proven fact, and experiment with a variety of techniques for spirit communication which they believe provide evidence of the continuation of life. According to the National Spiritualist Association of Churches, "An important modern day development in mediumship is spirit communications via an electronic device. This is most commonly known as Electronic Voice Phenomena (EVP)". An informal survey by the organization's Department Of Phenomenal Evidence cites that 1/3 of churches conduct sessions in which participants seek to communicate with spirit entities using EVP. The James Randi Educational Foundation offers a million dollars for proof that any phenomena, including EVP, are caused paranormally.

Cultural Impact

The concept of EVP has had an impact on popular culture. It is popular as an entertaining pursuit, as in ghost hunting, and as a means of dealing with grief. It has influenced literature, radio, film, and television. Investigation of EVP is the subject of hundreds of regional and national groups and Internet message boards. Paranormal investigator John Zaffis claims, "There's been a boom in ghost hunting ever since the Internet took off." Investigators, equipped with electronic gear—like EMF meters, video cameras, and audio recorders—scour reportedly haunted venues, trying to uncover visual and audio evidence of ghosts. Many use portable recording devices in an attempt to capture EVP. Films involving EVP include The Sixth Sense, White Noise, The Changeling. It has also been featured on television series like Ghost Whisperer, The Omega Factor, Ghost Hunters, MonsterQuest, Ghost Adventures, The Secret Saturdays, and Derren Brown Investigates. Coast To Coast AM hosts George Noory and Art Bell have explored the topic of EVP with featured guests such as Brendan Cook and Barbara McBeath of the Ghost Investigators Society, and paranormal investigator and 'demonologist' Lou Gentile. The Spirit of John Lennon, a pay-per-view seance broadcast in 2006, in which TV crew members, a psychic, and an "expert in paranormal activity" claim the spirit of former Beatle John Lennon made contact with them through what was described as "an Electronic Voice Phenomenon (EVP)." Legion, a 1983 novel by William Peter Blatty, contains a subplot where Dr. Vincent Amfortas, a terminally ill neurologist, leaves a "to-be-opened-upon-my-death" letter for Lt. Kinderman detailing his accounts of contact with the dead, including the doctor's recently deceased wife, Ann, through EVP recordings. Amfortas' character and the EVP subplot do not appear in the film version of the novel, Exorcist III. In Nyctivoe a 2001 vampire-inspired play by Dimitris Lyacos the male character as well as his deceased companion are speaking from a recording device amidst a static/white noise background. In Pattern Recognition, a 2003 novel by William Gibson, the main character's mother tries to convince her that her father is communicating with her from recordings after his death/disappearance in the September 11, 2001 attacks.
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