Showing posts with label spiritradio. Show all posts
Showing posts with label spiritradio. Show all posts

Tuesday, March 20, 2012

Paranormal "Little Guy" Shows Off The Goods HD

Face Apparition By My Friend

Monday, March 19, 2012

Ghost photos

www.ghostdatabase.comze.com/wordpress


These Pages Will Detail Photo's As well as Manifestations That I Have Captured Using The Ghost Catcher Camera App. 
The app detects fluctuation in the surrounding area and quickly snaps up to:
  • 10 photos Per 2 Seconds
I was excited, but not mentally expecting to capture what I had.
I was Stunned To Say The Least 


This was with my first use of the GGC.
And after a very impressing full body apparition manifestation 
From Start To Finish, Feet From My Bed.
I followed My Dogs Reactions & Shorting Saw Why She Was Upset?
What is it made of?
Is this normal of all enitiy's?
I Can't Tell You, I just Hope It Likes Me.
Made by Paratools $6 @ Android Market http://www.paratools.net/

I was excited, but not mentally expecting to capture what I had.



Blue Light Mystery






EVP Recordings


EVP Recordings 
Electronic Voice Phenomenon, or EVP, refers to voices or sounds captured using digital audio recorders that can detect sounds below the threshold of human perception. In the paranormal world, under the correct conditions, these sounds are considered to be voices from beyond the grave. ...
 SpeakJet AlloPhones

Audio Examples

 Heard only babble, but after a few attempts, suddenly heard a rather clear (at least to me) voice saying:
Play "I little sir help you with it!"
Here are some audio examples of other researchers who used EVPmaker + Allophones:
Play "I often help you -- I do."
Play "He fights with us -- Ed."
Play "Oooooh yes!"
Play "I'm at the talk therapy group. Yes, I'm here. How can I do you for? Let's talk for a moment."
Play "I am here for you."
Play "A recorder." (Correct answer - the item on the desk was a Sony B26 digital recorder.)
Play "A light that will help hear." (Correct answer - the item was a radio/flashlight combination Margaret uses for manual radio sweep recordings!)
Play Conversation with Arthur

Ovilus Videos

Ovilus x Polar Shift Warring?


Ovilus x DNA Activation Message?


Ovilus x Gravity 2012 warning Ghost Apocalypse


Ovilus x Needs To Be Decoded @ 4 Min.


Ovilus x 1993 Holds Key To What? EVP Knocking @ End


Ovilus x Satan Industry Apocalypse "England Project" Ghost Apocalypse


Ovilus x Apocalypse Say Last Words


Ovilus x Chain Industry Murder Apocalypse Last Words Mode


Ovilus x Jess Was First "Sandy" Bunker Reference Ghost Apocalypse


Ovilus x Apocalypse Burns Things Kill Pain Destiny Industry Murder Ghost Apocalypse


I Urge You Their Hide Ovilus X Warns Living Ghost Apocalypse

Ghost Hunting Apps

www.ghostdatabase.comze.com/wordpress


IPHONE

IPOD

IPAD

Android

 
 



iGeo Phone 1.0

Designed for paranormal investigators the Geo Phone is sensitive to vibration. Using the 3 axis accelerometer to return data based on changes to the iPhone, iPad or iPod do to vibration and movement.

=========================
iGeo Phone 1.0

works on:
iPod touch, iPhone 3G ,
iPhone 3GS , iPhone 4 and the iPad

=========================

So what is the iGeo Phone for ?
Since the iGeo Phone uses a real accelerometer rather than a magnetic coil the iGeo Phone only picks up vibrations that cause the device to move.
The iGeo Phone is perfect compliment to a recorder and a camera on an investigation. Place the iGeo Phone
in the field of view with the camera and near the recorder.If an event occurs you'll quickly  be able to tell if the iGeo
Phone registered a vibration.

Foot steps , tapping banging are good examples.

Also use the device for ITC work as well.

The iGeo Phone displays:
Minimum Force
Maximum Force
Current  Force
Average Force
Variance from Average
Adjustable sensitivity
Easy to view LED readout
Designed to be used in investigations the iGeo Phone is made for working in low Light conditions.

Using The iGeo Phone:

Place your device face up on a flat surface:
Start the app, then adjust the sensitivity till the bottom led
is flickering. press the " Clear " just to the right of minimum
and maximum. and minter the device.

from a distance it will be easy to see the led's change
if the device senses a vibration.

Pressing clear resets the min and max values.

for more information Visit us at www.digitaldowsing.com

From the App Press the " D" in the lower left corner to be taken
to the applications webpage on www.digitaldowsing.com

EMFX

for iPhone 3GS
    About emFX   Employing a 3 axis magnetometer emFX bears a lot of purposes. The independent display demonstrates the actual EM value in nano Tesla or milligauss. The primary display likewise depicts the minimal, average and highest rates. The mode chooser allows for changes between nano Tesla, milligauss or Yes / NO ITC Mode. ITC Yes / No mode talks ! An average rate is accounted. If the tasted value is bigger then the median of the decided % the word 'yes' is spoken. Whenever the tried value is lower then the median from the chosen % the word 'no' is verbalized. Words will exclusively be spoken while the level off comebacks to the median for a a couple of seconds prior to becoming higher or lower. Axis selector allow for 3 axis in a RMSaveraging out or Single Axis, Single Axis the highest conclusive rate of the three axis will be used. In milligauss mode the LED's also light with the equivalent scale for several favorite EMF meters employed for paranormal investigating. Annotation: The led range alters in the nano Tesla range. 1 milligauss = 100 nano Tesla   Applying the Yes No Mode:   Before practicing the Yes No Mode in brief alter the scale to nano Tesla. Then Toucj the readjust Button on the Bottom of the Screen. Now enter the YES , NO mode. This mode cultivates best through allowing the meter stationary. it will compute a running moderate emf value. If the measure of the emf advances or depresses by more than the chosen percentage the device will talk pronouncing yes if the value is bigger or no whenever the value is lower. Before the device will verbalise once more the emf value must come back to the intermediate range for a couple of moments.   Accuracy:   The iPhone has a 3 axis magnetometer don't blur this with a tri-field device. Each axis interprets emf the comparable way just adjusted differently. In the 3 axis mode emf is accounted by acquiring the square root of the total value amount of all 3 axis. Single axis mode returns the highest absolute value of the three axis.       Min / Max / Avg:   These rates show at thew top of the readout. They will 0 and resume once the readjust Min/Max button is pressed. the thought was to grant investigators a comfortable way to show a "base line" uncomplicated and clear as you start a new field. sweep the area and the min avg and max will all be just for that area.   LEDs:   The Leds will ignite once the emf value is in the range of that led illustration: if the milligauss interpretation is .6 only the 1st led will light. the milligauss scale mirrors the equivalent scale as different meters common with paranormal researchers. The leds pass easy and quick to note that emf level at a glance.

IOVILUS

for iPhone and iPod Touch
The iOvilus is grounded with the equal know-how of ITC communications for the extremely debatable Ovilus. The iOvilus develops spoken communication sent connected interchanges to sensors in the iPhone or iPod Touch. Merely, the thought is that an exterior forcefulness could impact a change that shows a response. Instrumental Trans Communications "ITC" isn't brand-new, nevertheless, the techniques applied to try and accomplish it are ever-changing greatly. The iOvilus is simple-minded to employ; kickoff the app and listen to what is pronounced. Remember, the surroundings drive the end product of iOvilus using a a thousand word dictionary to attain ITC Communications. iOvilus 1.6 requires 3.13 OS iphone or ipod

The iOvilus Field Test - Part I

The iOvilus Field Test - Part I  

The iOvilus Field Test - Part II

http://www.youtube.com/watch?v=uPChs6Bzf34

The iOvilus Field Test - Part III

http://www.youtube.com/watch?v=gv_XcCW0UHg

The iOvilus Field Test - Part V

http://www.youtube.com/watch?v=xcCgOw203Ik

The iOvilus Field Test - Part IV

http://www.youtube.com/watch?v=fu0nr0o6h6Q

The iOvilus Field Tests - Part VI

http://www.youtube.com/watch?v=GddHXVHkui4
ITC
For iPhone and iPod Touch
  This is a tool for experimentation not a telephone. Results will depend on effort time and patients. ITC " trans Instrumental Communications " is not a science it's a method. Will it work for you, The answer is no... It will only work with you. The method is not a fortune teller. Don't expect answers to life. Expect the responses that make you laugh or challenge you Ideas and concepts of what is really going on. Because of the nature of this application it is offered for Entertainment purposes only. The Author of this software is the Inventor of the Paranormal Puck, Ovilus Talker, EM Pump, Video Ovilus, PX and many other devices. For more details please visit www.DigitalDowsing.com   How ITC works: ITC applies taped files that are played for different durations of time depending upon settings, and originated in different sections of the transcriptions stationed on the mode and inputs. Using ITC: Start: Runs program (ITC will begin to talk ) Stop: Stops Voices (Halts ITC from running) There are three settings the user can control: Sound length: (100 -1000) ms = 1/10th to 1 second Change the duration of time a sound is played. Offset: (0 - 250) Creates a squelch like effect 0 is the most talkative 250 the least. Volume: (1 to 100%) of the devices current volume setting Mode: ( Random , Sensor , Mix) Random: uses software to create a random selection Sensor: uses the devices available sensors to create a selection Mix: uses both sensors and random at the same time. Voices: (Phonetic, Male , Female ) Phonetic: uses just phonemes ( basic sounds that forms speech ). Male: uses a male voice. Female: uses a female voice. Phonetic file contains 72 phonemes. Male and Female voice files contain 2000 words list below: PLACEBO ENTIRE UNDER MUSE D SUPPER LIGHT CARRIER SHOULD HUMAN AWARD RECORDS PLUTO WORM PAUL EAT TREE MOMMY COUNTRY STORY LAY BUSINESS SENT HIGHWAY APPLE RABBIT FOLIAGE WIDE OUTSIDE DOWN TIN METAL COMPOUND SQUEEZE KISS HOLIDAY SAW HASTE ALTHOUGH PROPERTY FIFTEEN WAVE OBSERVE DISASTER THINK MARKER CLIMB SOLO JIM BIKE RUN GREEN AFRICA POSSIBLE FACTORS VIDEO NIGHT DEPLETE COARSE LOVING CHANGE SIZE INITIAL BEAT REWIND GLANCE ZOO PLACATE ENOUGH UNCLE MURPHY MAIN SUNRISE LIFE CAROL SHORT HUG AUTOMATIC FLY WHOLE PARANORMAL PAT EAST TRAVEL MOMENT COUNT STORE LAUGH BURY SEND HIDE APPEAR QUITE FOE ELECTRIC OURS DOUBLE TIME MERCURY COMPETE SPRING KIND BOTTLE SATURN HARVEST ALRIGHT PROJECTION FIDDLE WATER OAR DIRT THING MARCH CLEANSING SOLDIERS JESUS BIBLE AMOUNT GREATER AFFAIR POSE FACT VERONICA NICK DEMON TEACHER LOUD CHAIR SIX INFORMATION BET REVEREND GIRL ZERO PINE ENGLISH TYPE MULTIPLE DECEND SUMMER LICK CARE SHOOT HOW AUNT REASON GENERAL WORDS PAST EARTHEN TRAP MOIST COUGH CATTLE LESSER BURN SELF HI APART QUILL WASH NOW DIME DOOR TILT MEN COMPANY SPOT KILLED BORN SEE HARRIET ALPHABET PROGRAM FEMALE WASTE TOM DIRECT TICKLE MANY CLASSIC SOLD JERK BETWEEN ROUND GRAY ADJUST PORT F VERB NEXT DEEP TASTE LOST CESIUM SIT INDIRECT VOICE BEACH RETURN GET YOURSELF PIERCE ENGINE TWIST MUCH CURRENT SULTRY LEVITATION CARD SHOCK HOURS AU 7 FRIEND WOODS PASS EARS TRAIL MOAT COTTON STONES LAST BUILT SEEM HERNIA ANY QUICKLY FLOWER WHITE ORDER DON TIGHT MEMORIES COMMON SPIRITS SEVEN BOOT SANDRA HARD ALMOST PRODUCE FELON NEW DID TALKING THEY MANOR CLAP SOFT JAPANESE BETTER ROSES GRAVE YARD ADDITION POPPA EXPRESS VECTOR NEWER DECIMAL TAPE LOSE CENTURY SIR INDIAN BATTERY RESTORED GENTLY YOUNG PIE ENEMY TWELVE TENSE CUP SUGGESTED LETTER CAR SHIP HOT ATTIC READY FRENCH WONT PART EAR TRAFFIC MITTEN CORRECT STOMACH LARRY BUILD SEEDS HERD ANTHONY QUESTIONS PEN WHICH ORANGE DOLLARS TIE MELODY COME SPIN KEPT BONES SAMPLE HAPPINESS ALLEY PROBLEM FEET WARS NOUN DIGGING THERMAL MANDY CITY SOBER JAN HIGH ROSE GRASS ADAM POOR EXPECT VASE CRUST SUCH LENS LOOSE CENTRAL SINK S BATH REST GRAND YIELD PICKED EMULATE TURNOVER MOUTH CRYSTAL SUFFIX LOCATED CAPITAL SHIFT HORRIBLE ATOM REACT FREE WON PERSON E TRACK MISTRESS LIMP STILL LARGE BRUSH SHAPE HEMATAUS ANOMALIES QUEST FLAT WHERE OR DOG TOP MEET COLOR SPEED KEEP BODY SAM HAPPENED ALL PRINTED FEEL DRAW NOTHING DIFFICULT THEN MAMMY CHURCH SO JAM BESIDE ROOT GRANDPA ACTION POLTERGEIST ODD VAPOR NERVE DECEIT TAKE LOOK CENT SING INCLUDE BASE RESENT GEEK YES PHONE EMPATH TURN MOUNTAIN STEP LAMB BROKEN CANNON SHEPHERD HOP GLOVE REACH FRANCE WOLF PARAGRAPH DUTY TOWN MIST CORD STICK LAND BROUGHT SECRET HELP ANN QUARANTINES FIT WHEELS OPENING DOCTOR TICK MEDICINE COINS BUT KAREN BOARD SALLY HANG ALIGNMENT PRIDE FEBRUARY WARM NOT DIFFERENCE THEM MALICIOUS CHOOSE SNEAK JACKIE BELOW RONDA GRANDMA ACROSS POLE EXAMPLE VALUE NEED DEBBIE TAG LOGICAL CEMENT SIMPLE IN BARREL REPORT GAUZE YELL PETER ELSE DERICK MOSTLY CROSSOVER SUBSTANCES LEND CANDLE SHARP HOMICIDE ASSAULT RAVINE FRACTION WITHIN PAPER DURING TOUCH MISS COPPER JUPITER BLOG SAIL SEAT HELL ANGRY WORLD FISH WHAT ONLY DO RUN THEREFORE MEASURE COFFIN SPEAK JUSTICE BRIDGE SALIRAN HAMMER ALICE PRESS FAY WANTED NORTHERN DIVES THE MALEVOLENT CHLORIDE SMOOTH JACK BELL ROLLED HAD ABOVE POEM EVIL V NECESSARY DEAL TABLE MAGIC CELLAR BIG IMMERSION BAR RENT GATEWAY YEAR PLATE ELEVEN TUB MOSS CROPS SUB LEGS CAN YOU SHY HOLY ASHES RATE FOUND WITCH PANEL DUG TROOP SUN COOK STEAMY LAGOON BRITISH SCRUPLE HEAVY ANGLE PUSHED FIRE WEST ONCE DO THROUGH ME COAT SOUTHERN BEGIN ROCKET GOVERNMENT HALO AKASHA PRESENT FATE WALTER NORMAN DICTION THANK MAKE CHILLS SMELL ITS BEING RODGER GRACE ABORT WATCH EVERY USED NEAR DAY SYNN LIVING CEILING SIGN IDLE BANK REMOVE GASP YANK PERIOD ELEMENTAL TRUTH MORES CRESCENT STUFF LEG CAMERA SHAKEN REVEAL AS RAPTURE FORTY WISH PAM DRUNK TOOL MINUTE CONTRITION STAY LADY BRIGHT SCREW HEAT AND PURIFIED FINISH WENT OLDER DIVIDED THRESHOLD MAYBE LASTING SOUP JUMPED BLIND SAFE HAIR AIM PREACHER FASTER WALK NOR DEVIL TEXT SPOON CHILDREN SLUR ISLAND RELIGION GAIL WRITING ALONE PLEASE EVENING US NATION DAVID SYLLABLES LITTLE CAUSE SIFT IDA BAND REMEMBER GARDEN WRONG PERCENT NEWS TRUCK MOP CREEK STUDENTS LEDGE CALM SH HOLD ARRIVED RAN FORM WIRE PALACE DROP TONE MINI CONTINUED STATEMENT L CABLE SCRATCH HEARD FRESH PUNCTURE FINGER WELL OK DRESS THREAT MAXIMUM CLUB SOUL JULY BLAZE SAD HAZE AHEAD PRAY FARMERS WAGON NONE DEVELOPED TESLA MASTER CHIEF SLOWER IRON BEG ROBERT GOT 9 POUNDS EUROPE UPON NANA DATE SWIM LIST JANUARY SLAIN I BAIL FOREIGN WINDOW PAGE PEOPLE EIGHTY UNHOLY MONUMENT CRAYON STRONG LEAVEN CALL SEVERAL HOBBLE AROUND RAISED FOREVER WINGS PAINT DRIVE CUBE MIND CONSTANT STARVE KNOWN BREAKER SCORE HEALER AMERICAN PULLED FIND WEEPS OI DISTURB THOUGHT MATTER CLOUD SOON JUDGE BLACK SACRIFICE GUY AGGRESSION POWER FAR VOWEL NOISE DETAILS TERMS MAD CHEST SLIGHT INTERRUPT BEFORE TIME ROADWAY GOOD FEELING PLANTS ESPECIALLY UP NAIL DASH SURPRISE LISA CATCH SHOWN HURT BACON RELEASE GAG WRENCH PENDANT EGGS TRIP MONTH CRASH STRETCHED LEATHER CAKE BASEMENT HISTORY ARMS RAIN WEAR OFF DISK DRIFT TOGETHER MILK CONSOLE STARS KNOT BRAVE SCIENCE HEAD AMELIA PUDDLE FILTER WED OFTEN DISREGARD THOSE MATERIAL CLOSET SON JOKE BISHOP SACRA RES GUESS AGO POVERTY FAMOUS VOICE NOD DESK COLD M CHEAT SLAVE INTEREST BEER RIVER GONE 5 PLANET ERASE UNLOCK MYSELF DARK SURFACE LINGER CASTLE SHOW HUNTING BABY REGION FUZZY WOW VAN EERIE TRIED MONITOR COW STRENGTH LEARN CARPET SET HIPID HOP AREA RAID FOR ME WIN PACE EASY TO MIKE CONGRUISM STAND KNIFE BRANCHES SCARED REMOTE AMBITION PSYCHIC FILE NINE DESCRIBE TELEPATHY THIS MESSENGER CLOISTER SOMETHING JOHNNY BIRDS ANIMAL GROUP AGE PROP FAME VIOLENT NO DESIGN TEMPERATURE LUST CHART SOLID INTENT BED RING GOD 3 PLAN EQUATION VERY MUSTARD DAN SURE SNAP CASKET SHOVE HUNT AXE REEL FUNERAL WOUND PEACE EDISON TRIANGLE MONEY COVER STREAM LEADER BUY SEPTEMBER HIM AQUA RADIO FOOT WILL OXYGEN MOST TIP MIDDLE CONDITIONS STAIR KNEE BRACELET SCAN HAUNTING AM NOT PROVIDENCE FIGHT WE TOTAL DISEASE THIRTEEN MASON CLOCK SOME JOG BIND RUST GRIND AGAIN POTENTIAL FALL VINEGAR CYCLE SUNSET LIFT LUCK CHARACTER SKIP INSIDE BECKON RIDE PRESIDENTS 1 PLAIN EQUAL UNDERLINE MUSIC DADDY SUPPLY LIKE CARRY SHOULDER HUNDRED AWAY RECUSE FULL WORRY PAULA ED TREMOR MONACHI COURSE STRAIGHT LEAD IF SENTENCE HIKE APPLET RACE FOLLOW WIFE OVER DRAG TINA METAPHYSICS COMPUTER STAB KITE BOY SAY HAT ALWAYS PROTON FIFTY WAVES OCEAN DISCERNMENT THIRD MARRY CLIMBED SOLSTICE JO BILL RUNNING GREGG AFTER POSSIBLY FADE VIEW NIGHT TIME MAZE TEASE LOW CHANNELING SKILL INNER BECAME RHYTHM GLASS ADJECTIVE PLACE ENTERED UNCLEAR MUSCLE STOP LATER BURNING CERTAIN SHOT HUGE AVERAGE RECORD FRONT EVER PATTERN ENERGY TRAVERSE MOMMA COUNTER STORM LAW BUSH SENSE HOUR APPETITE R FOG WICKED OUT DOUBT TIMID MOAN COMPLETE SQUARE KING BOTTOM SAVE HAS ALTER QUICK FIELD WATERS OBJECT DIRTY THINGS MARK CLEAR SPIRIT JEWELRY HEART RULE GREEK AFRAID POSITION FACTORIES WAS NICKEL DENSITY TEAM LOVE CHANCE SIXTY INFORMED BEAST REVOKED GIVE ZINC PINKIE ENJOY U MURDER CUT CHILD LIE CARESS SHOP HOWEVER AURA REBECA FRIGID WORK PASTOR EASE TRAPPED MOLECULES COULD KILL BOOTS SANDY SELL HIDDEN APOCALYPSE QUILT FOCUS WHOSE OUR DOPE TIM MEND COMPARE SPREAD KIM BOTH SATAN HARRY ALREADY PROJECT FEW DRONE NUMBERS DIRECTION THIN MAP CLEAN SOLDIER JESS BEWARE ROW GREAT ADULTERY PORTAL FACE VERN NICE DEMAND TEA LOT CHAIN SITE INDUSTRY BEANS AH GHOST Z PILLOW ENGLAND TWO MUDDY CURSE SUM LIBERTY CARDS SHOES HOUSE AUGUST REAP FRIENDLY WORD PASSED EARTH TRAIN MODERN COUCH STOOD SHUTTLE BUNNY SEEN HEY ANYTHING QUIET FLOWERS WHO OREMUS DONE TILDE MEMORY COMMUNICATE CALCIUM BETH ROSE LINE GRAVE HARMONIC ALONG PRODUCTS FELT WASHINGTON NUMB DINNER THICK MANUAL CLASS SOIL JEN BETTY ROT GRAVITY ALIVE PORCH EYE VENUS THOUGH DECOMPOSE TASK LOSS CHRIS SISTER INDICATE BE RESULT GEORGE YOURS PIECE EXCEL TWENTY MOVIE CUPCAKE SUIT LEVEL CARBON SHIRT INCHES ATTITUDE REAL PLANT WOOD PARTY EARLY TRAGIC MOTHER COST STONE LASH BUILDING SEEK HERE ANTI RAW FLOW WHILE ORB DOMINATE TIED MEMBERS COMFORT STEVEN KEY BOOK SAND HAPPY ALLOW PROCESS FELL WHEAT NOVEMBER DIGITAL THESE MANIFEST CLAIRVOYANT SOCCER SCHOOL RESERVATION GENDER YET ADD POP EXPLAIN VAST NEW MOON DECIDED TALL LORD CENTS SIP INDEX BATTERIES RESTORE GENTLE YOU PICTURE END TWEAK MOVE LYNN SUGAR LET CAPTAIN SHINNING HORSE ATTACK READ FREEZE WONDER PARK EACH TRADE MITE CORNER STIRRED LARK BUDAH SEED HER ANSWER QUESTION FLOAT WHETHER ORACLE DOLLAR TIDE MELINE COLUMN SPELL KELLY BOMB SAME HAPPENS ALL RIGHT PROBABLY P WARRIOR NOTICE DIG THERE MAN CIRCLE SOAK JAMES BEST ROPE GRASP ACTUALLY POND EXIT VARIOUS NEVER DECEMBER TALK LOOP CENTER SINGLE INCREASE GROUND FRAME WITHOUT PAPPY PHRASE EMPTY TURNING MOUSE CRY SUDDENLY LESS CANNOT SHEPHERD HOPE ATE REACHED FRANK WOMAN PARALYSIS DWINDLE TRACE MISTAKE CORE STIGMATA LANGUAGE BROWN SECTION HELPFUL ANNA QUARTER FIVE WHEN OPPOSITE DOES TICKET MEDIUM LEADED SPECULAR KATE BOAT SALVATION HAPPEN ANGER PRIEST FEED WARP NOTE DIFFERENT THEMSELVES MAMMOTH COAST SNOW JADE BEND ROOM GRANDMOTHER ACT POLICE FATAL DISCOVERED NERD DEBRA TAIL LONG CENSURES SINCE IT BARRY REPRESENT GAVE YELLOW PHANTOM EMBARK TUNE NATURAL CROWD SUBTRACT LENGTH CANDY SHE HONOR ASTRAL FIRST WESTERN ONE DO NOT DUST TOWARD MISSION COPY STUDY LAMP BROTHER SECOND HELLO FRUIT QUARANTINE FIST WISDOM OPEN DOCK THUS MEAT COIN SPECIAL KANSAS BLUE SALLIES HAND ALIEN PRETTY FEAR WAR NOSE DIED THEIR MALICE CHOKE BOX JACKET BELONG RON GRANDFATHER ABYSS POINT EVOLUTION VALLEY NECK DEATH TABLET LOCK CELLS SIMILAR IMPORTANT BARN REPEATED GATHER YEILD PET ELIAS TUBE TEAR CROSS SUBJECT LEMON CANCER SHARE HOME ASK RATES FOUR WITH PANTS DUNE CUTE MIRROR COOL STEEL LAKE BROAD SEA HELD ANGLES PUT WALL NORMAL DIABLO THAN THROW MEAN COFFEE SPACE JUST BLOOD SAINT HALT ALCOHOL WHY FATHER WANT NORTH DICTIONARY THAT MALE CHIMP SMILE ITSELF BELIEVE ROLL GRAIN ABOUT PM EVERYTHING USUALLY NEAR DEATH DEAD SYSTEM LMAO CELEBRATION SIGNAL RUB BANSHEE RENDER GATE YARD PERIODICAL ELEMENTS TRY MORNING CRIED STUNT LEGION CAN SHALL HOLLOWED ASCEND RASTER FORWARD WISHING PAN DRY TOOLS MINUTES CONTROL STEAM LAG BRING SCRIPT HEAVEN ARMY PUSH FINISHED WERE ON DIVISION THROAT STOOL CONSONANT SOUTH JUNE BLOCK SAID HALLOW AIR PREPARED FINALLY NANCY DAVE SWITCH LISTEN MAJOR CHILL SMALL JON BEHIND ROCKS GRAB ABLE PLURAL NUMBER USE NODE DAWN SYMBOLS LIVE CAVE SIGHT IDEA BANG ROAD GAS WROTE PERHAPS ELEMENT TRUST MORE CREMATE SURGE LEFT CAME SHADOWS HOLE ART RANDY FORMAT WRECK PALATINE DROWN TOOK MINISTER CONTRACT STATIC LABOR BRIDLE SCREAM REALLY AN PURGATORY FINGERS WENCH OLD DIVIDE THREE MAY CLUTTER SOUND JUMP BLED SADNESS HAIL AI PRAYER FAST WAIT NOON DEVICE TEST MAGNET KID SLOWLY IS BEGAN ROCK GOUGE A PLAY EVEN UPSTAIRS CRAWL STRING LEAVE INCUBUS CAUGHT SIDE ICE BALL REMAIN GAME WRITTEN PER EITHER TROUBLE MOON CREATE STRUCK LED CALLED SEX HOCKEY ARREST RAMP FORK WINTER PAIR MOVEMENT TOMB MINE CONTAIN STATE KORAN BREAKFAST SCRAPE HEAR AMONG PULSE FINE WEIGHT OIL DIVE THOUSAND MATTRESS CLOUDED SORRY JUDGMENT BLANKET SACRILEGE H FLOOR PRACTICE FARM W NONA DETERMINE TERRY MADE CHICKEN SLIP INTO BEFRIEND ROBB GOODBYE 8 PLASTIC ETCH UPHOLD NAME DATA SWELL LISP CATHY BLOW HUSBAND BAD RELICS GAGE WRITE PENNY EIGHT TROLL MONTHS STAR KNIT BRASS AT SEVENTY HIT AWKWARD RAISE FOREST WINDS PAIN DRINK TOLD MILLION COUSIN START KNOW BREAK SCIENTISTS HEAD STONE AMERICA PULL FOOD WEEK OH DISTANCE CORN MATRIX CLOTHES SONG KITTY BIT SACRED GUN AGREED POWDER FAN VOID OCTOBER DESOLATE TENT MACHINE CHECK SLEEP INTERN BEFORE RUSS GONG 6 WARRANT ERROR UNTIL N DARKNESS TEEN LIQUID CAT SHOWERS HURRY BACK RELAX G EXCEPT PENCIL EFFECT TRILLION MONO COWS STREP LEAST CAGE SETTLED HIS ARM RAIL FORCE WIND PACK DRESSER TODAY MILE CONSIDER JOHN BIRD RUSTS QUANTUM HE AMBULATORY PUCK FILLED WEATHER OFFICE DISPOSE THOMAS MATCH CLOSE SOMETIME JOINED BIRTH SACK GROW AGENT POUT FAMILY VISIT NOAH DESIGNATE TEN SPECTER CHAT SLAM INTENTION BEEN RISE GOLD 4 PLANE EQUATOR UNIT MY DANCE SURELY LINE CAST SHOVEL HUNTED B REFACE FURY WOVEN PEGGY EDNA TRICK MONICA COVERED STREET LEAN BY SERVE HIMSELF ARE RAGE FOR WILLIAM TUG DRAWING TISSUE MIGHT CONFESS STALK KNEW BRAD SCARE HAVE AMANDA PROVIDER FIGURE WEAPON OF DISEMBODIED THIRTY MASS CLOCKWISE SOMEONE BECAUSE RICH GLORY AGAINST POUND FALLS VIOLENCE NINETY DESERT TELL LUNCH CHARLES SKY INSTEAD BECOME RIGHT GO 2 PLAINS EQUATE UNDERSTAND MUST DAM SUPPOSE LIMIT CASE SHOUTED HUNG BEAR RED FUN WOULD PAY EDGE TRIAL MONDAY CURT STRANGE SILENT BUTTON SEPARATE HILL APRIL RADICAL FRIENDS WILD OWN DRANK TINY METHOD CONCENTRATE STABBED LATE BRACE SCALE HATE AM PROVIDE FIG WAY OTHER MIRA THIRST MARS CLIP SOLUTION JOB BILLION SAT GREW AFTERLIFE POST FAITH VILLAGE NIGHTMARE DERRICK THIGH LOWER CHANT SKIN INSECTS RECEIVED FROM WORKERS 0

EVP Recording Walk Though


Electronic Voice Phenomena Recording Advice
Here I have outlined below some very basic guidelines to follow when attempting to record EVP.
EVP Recording Procedure
You have made the decision that you would like to attempt to record EVP and you have an audio recorder with an inbuilt or external microphone, what next?
If you would like to conduct experiments in your own home, like many researchers do, always opt for a quiet time of the day when noise contamination is at an absolute minimum.
When choosing an area to record, be sure to take into account any possible noise that may occur and always look out for items such as televisions, computers, mobile phones, barcode scanners and other electrical appliances that could cause interference.
Reducing noise contamination and the risk of electromagnetic or radio interference will make the analysis of your audio recordings much easier and will help to keep your experiments controlled.
Be sure to ask everyone who is taking part in your experiment to remain as quiet as possible.
Waterproof jackets, the shuffling of feet on wooden floors and even so much as somebody breathing heavily can provide much contamination to your recordings.
Always take the common sense approach.
At the start of your recording session it is best practice to always state:
  • The time
  •  Date
  •  location of recording
  •  The name of persons present at the experiment and the type of equipment that you are using before attempting to receive any communication.
This will assist your analysis greatly, as it is very easy to lose track of recordings when conducting multiple experiments regularly. It is also recommended that you note down the weather conditions and the moon phase at the time of recording, sooner or later you may see a pattern emerging of the best times to record. Try making up a data sheet that you can fill in for each seperate recording session.
Now, imagine opening the front door of your home and inviting in everyone and anyone who passes by, sooner or later you are bound to encounter someone who has bad intentions, someone who will attempt to harm you, your home or your family.
Let us assume for a moment that we are indeed communicating with discarnate souls, people who once lived as we are now.
Your recording session has to be treated in exactly the same way, with the possibilty that you are indeed opening a doorway that everyone and anyone may enter.
This is why it is always important to focus on asking for positive communication only when attempting to record EVP.
Please always show the utmost respect to your would be communicators.
Ready to attempt communication?
It is not recommend using recorders set to 'voice activation' mode as there can be a short delay of a second or so when a voice is sensed before your recorder activates, which means the first word of any message picked up could be missed.
It is always good to prepare a list of questions before hand that you would like to pose during your experiments.
Try to initially focus on receiving information such as names, dates and locations as these are all checkable and can help to provide the best evidence.
Although it is nice to receive clear voices with random messages, it is sometimes difficult to work out their relevance without any additional information.
Always ensure that anyone asking questions does so loudly and clearly, as whispers can be mistaken for EVP!!
It is recommended that you leave at least 30 seconds in between questions for a response and try to remain as quiet as possible in that time.
By not leaving enough time in between questions, you risk losing part of any message that you may receive.
If any noise contamination does occur during the recording session, always note down the exact time that it occurs from the recorder's timer or tape counter.
This again will make analysis of your recording much easier.
If you are using a digital recorder, try to record only for a few minutes at a time, before stopping the recorder and then recommencing.
This will break down your recordings into smaller, separate files and will assist your analysis process greatly.
It is important to work on the basis that 1 minute of audio recordings can take up to 1 hour to analyse no matter whether you are using digital or analogue recorders.
Always try to keep your experiments short and controlled as there is no sense in sitting down to analyse hour after hour of audio recordings which can be quite exhausting.
Recordings need to be meticulously analysed and you may find, if you have many hours of recordings, that you are rushing through them.
Rushing the analysis process can be extremely counter-productive.

Audio Analysis Of EVP's

Are you ready to analyse your recordings?

Any audio recorder that has a headphone socket can be connected to a desktop or laptop computer that is equipped with a sound card.
Connect an audio lead from your recorder's headphone socket directly to the microphone socket on your computer and you are ready to go.
Many of the newer digital recorders on the market have the ability to load files to a computer via a USB port.
Your recordings can be analysed sufficiently in software programs such as:
  • Adobe Audition

  • Sony Sound Forge

  • Goldwave

  • Or the free program Audacity

Once your recorder is connected to the microphone socket on your computer, press the record button in your chosen software program and press play on your audio recorder simultaneously, your sound file will now be loading. The volume level that the recorder is set to will determine the decibel level of the sound file that is loaded to the computer. If you find that your recordings are not loud enough after loading them to a computer, simply turn up the volume level on the recorder and reload the audio file.
Now, that your recordings have been loaded to computer, you are now able to listen to them, break them down and save them accordingly.
You can also use features in the software programs such as hiss reduction, noise reduction, amplify and various filters that can be used to enhance the quality of any inexplicable voices contained your files.
These features should be used sparingly and the recordings should be kept as close to their raw state as possible.
Using these features too much on any recording is deemed 'over processing' and can damage your file.
You will know that you have 'over processed' a recording when it becomes difficult on the ear, which is when the 'Undo' feature comes in very handy!
Equally, these features can be extremely useful if used correctly, so please take time to experiment with and learn about the software that you are using.
Much information can also be learnt about your recordings within the software itself with features such as frequency analysis and spectral view.
It is recommend the use of earphones during analysis, although, please be aware of any sudden loud noises that occur during your recordings which could cause damage to your ears.
You will find that over a period of time you will develop an ear for hearing the distinct fast rhythm of an EVP voice and will naturally start to focus on other levels of noise within your recordings that you never noticed previously.
We liken this to listening to someone that speaks with a foreign accent, you may find them difficult to understand at first, but the more you hear them the more you get used to the distinct nature of their voice.
If you find that you have not successfully recorded any inexplicable voices then please persevere, you will find that during experimentation you will gradually receive more and more voices.
Once you capture that first elusive voice, there is no holding back.
For best results, we always recommend recording regularly at the same time of day.
It is very much like opening a doorway and waiting for somebody to walk through.
After their first visit, they will return many times if the doorway is opened regularly, and they may even tell their friends.........
EVP File Classification
It is important to label each EVP file depending on the clarity of the voice.
EVP researcher Dr Konstantin Raudive developed a method of classification in the 1970s that was far too complicated to remain practical.
This was reviewed by researcher Sarah Estep who developed a much more useful classification system that is now used as standard with EVP researchers around the world.
The classification sytem is as follows:
  • Class A: A voice that can be understood without the need for headphones and that people can generally agree on the content.
  • Class B: A voice that requires headphones to hear and not everyone can agree on its content.
  • Class C: A voice that requires much filtering and even by wearing headphones nobody can agree on its content.
Analogue Recorders
Up until the late 90's, analogue recorders were the only means of capturing EVP available to researchers.
From early reel to reel recorders to solid state professional audio recorders, there are many variations available.
It traditionally takes longer to capture EVP on an analogue recorder, but when you do, you will find that the voices are much clearer than that of digital with a higher volume of class A voices.
Many of today's researchers still prefer the use of analogue recorders during their experiments due to the clarity of the voices coming through.
You will find that analogue recordings contain a high level of background hiss, which is where many of the voices can be found during analysis.
We recommend the use of an external mic which should be positioned a few feet from the recorder to avoid the noisy mechanism of the recorder contaminating your recordings.
Always use a fresh tape when starting a new recording session as tapes can get worn over time.
Previous recordings may not be overwritten properly and may bleed through the tape into newer recordings.
Digital Recorders
The digital age is upon us and there are many digital audio recorders available on the market, from basic digital dictaphones to solid state professional digital audio recorders.
Digital recorders are extremely portable and most have an in built microphone. Many of them have a built in flash memory that can give you hours of recording at the touch of a button and files can be managed easily.
We have found that digital recorders are most effective for capturing EVP when used on the lowest quality settings.
These settings appear to generate a higher degree of background hiss which is where many of the voices can be found.
This is much like using white noise as carrier signal for EVP voices to come through.
One of the most talked about digital recorders for recording EVP is that of the Panasonic RR-DR60 IC Recorder.
The RR-DR60 is a voice activated recorder that has shown over time that it is highly effective for capturing EVP.
Inexplicable voices seem to come through on this recorder in abundance, even when used inside a Faraday Cage to rule out external interference.
Unfortunately many of voices captured on the RR-DR60 seem to be extremely distorted and require much work using filtering software.
None the less, these recorders are extremely interesting from a research point of view and many more experiments are required to find out why this recorder is so effective in comparison to other digital recorders.
Unfortunately the Panasonic RR-DR60 is hard to come by these days.
The Sony ICD range of recorders are also highly effective for capturing EVP and like many other digital recorders, can be slipped into your pocket and taken just about anywhere for experimentation purposes.
We recommend experimenting with many different digital recorders and comparing the results.
Digital Recorders
The digital age is upon us and there are many digital audio recorders available on the market, from basic digital dictaphones to solid state professional digital audio recorders.
Digital recorders are extremely portable and most have an in built microphone. Many of them have a built in flash memory that can give you hours of recording at the touch of a button and files can be managed easily.
We have found that digital recorders are most effective for capturing EVP when used on the lowest quality settings.
These settings appear to generate a higher degree of background hiss which is where many of the voices can be found.
This is much like using white noise as carrier signal for EVP voices to come through.
One of the most talked about digital recorders for recording EVP is that of the Panasonic RR-DR60 IC Recorder.
The RR-DR60 is a voice activated recorder that has shown over time that it is highly effective for capturing EVP.
Inexplicable voices seem to come through on this recorder in abundance, even when used inside a Faraday Cage to rule out external interference.
Unfortunately many of voices captured on the RR-DR60 seem to be extremely distorted and require much work using filtering software.
None the less, these recorders are extremely interesting from a research point of view and many more experiments are required to find out why this recorder is so effective in comparison to other digital recorders.
Unfortunately the Panasonic RR-DR60 is hard to come by these days.
The Sony ICD range of recorders are also highly effective for capturing EVP and like many other digital recorders, can be slipped into your pocket and taken just about anywhere for experimentation purposes.
We recommend experimenting with many different digital recorders and comparing the results.
External Microphones
External microphones can be used with any recording device that has an input socket. We utilise many different microphones during experimentation including parabolic microphones. Induction microphones, condenser microphones, dynamic microphones and radio microphones (wireless). It is important to experiment with different types of microphone during research as they can all have their own distinctive sound. Two of the most useful microphones are the parabolic which is used to pick up distant noise and amplify noise that occurs in close proximity, and the radio mic (wireless). We mainly experiment with different microphones using analogue recorders.
Desktop/Laptop Computers
It is possible to record sound directly into a laptop or destop computer via an attached microphone. Many researchers use this method and have succesfully captured many EVP voices recording directly in software such as Adobe Audition. Of course, computers are essential for analysing your recordings and laptops in particular are excellent for field recording.
Inter Frequency
The Inter Frequency method of EVP recording is used by many of today's researchers and was also a favourtie of past researchers such as Friedrich Juregnson, Konstantin Raudive and Raymond Cass. This method involves providing a background carrier noise whilst recording, such as white noise which was traditionally provided by tuning a radio in between channels. Many skeptics believe that the anomalous voices picked up in this way are actually stray radio signals. Interestingly enough we have never come across any cases where music has been recorded using this method, which is the main content of today's radio broadcasts. You can generate various frequency tones for experimentation purposes such as white noise, pink noise and brown noise in software such as Adobe Audition to avoid the need for a radio. It is recommend experimenting with various different frequency tones during research.
Raudive Diode
Konstantin Raudive devised his own method of improving the quality of his EVP recordings. Through experimentation he found that using a Germanium Diode plugged into a recorder instead of a microphone vastly helped improve the quality of the voices. We have found that the Germanium Diode is capable of picking up radio waves and is best utilised in conjunction with a Faraday Cage (see below). You will find that the diode will not pick up your own voice or any noise contamination from your recording area. It is highly recommend experimenting with this device.
Faraday Cage
The Faraday Cage is a very useful tool for EVP research. The cage is utilised to shield your recording equipment and to effectively wipe out the chances of electromagnetic or radio interference. A very good example of a Faraday Cage is the cooking compartment of a microwave oven which is designed to stop microwaves escaping. Try placing your mobile phone inside an unplugged microwave and calling it from a land line. You will find that the signal will not get through. Utilising a microwave for home EVP experiments is an ideal way to ensure that your EVP voices cannot be explained by electromagnetic or radio interference.
Telephones & Answering Machines
There are many reported cases around the world of EVP or anomalous voices appearing on telephone answering machines.
Even in the modern age of digital telephone exchanges where crossed lines and virtually impossible.
There are also many cases of people having telephone conversation with friends or family members who have long since departed this world.
We have had experience of this and are truly fascinated by these other cases.
We would very much like to hear from anyone who has experienced anomalous voices via the telephone for research purposes.
When listening to telephone answering messages always pay particular attention to the start, the end for voices breaking through.
This phenomena seems to occur on both digital and analogue answering machines and there are even cases of mobile world phone messages containing anomalous voices.
We have provided some basic information about EVP recording equipment and recording techniques.
Of course there are many more methods of recording EVP and we recommend experimenting with as many methods as possible.
There is much to learn about the reasons why these voices appear on our recording equipment, so please do not be scared to try something new.
The next breakthrough could be just around the corner!

EVP INFO

www.ghostdatabase.comze.com/wordpress

Electronic Voice Phenomenon
Electronic voice phenomena (EVP) are electronically generated noises that resemble voice communication, just not the consequence from deliberate voice recordings or interpretings. Basic origins of EVP include static, stray radio transmissions, and background noise. Recordings of EVP are oftentimes produced from background sound by expanding the gain (i.e. sensitivity) of the recording gear. Interest in EVP surrounds claims that it is of paranormal origin, though a lot of happenings have had natural explanations including apophenia (detecting significance in insignificant phenomena), auditory pareidolia (interpreting hit-or-miss sounds as voices in one's own language), equipment artifacts, and hoaxes. EVPs are typically brief, and usually the length of a word or short phrase.

History

As the Spiritualism religious movement became prominent in the 1840s–1920s with a identifying belief that the disembodied spirit* of the dead can be got hold of through spiritualists, Modern applied science* of the era including photography were hired by media in an effort to certify contact with a spirit world.
So popular were such thoughts that Thomas Edison was asked in an interview with Scientific American to comment about the possible action of using his inventions to communicate with spirits.
He replied that if the spirits were only capable of subtle influences, a sensitive recording device would allow for a better chance of spirit communicating than the table tipping and ouija boards mediums hired at the time.
  However, there is no indication that Edison ever configured or built a device for such a purpose. Because sound recording became widespread, spiritualists researched using this applied science to establish communication with the dead as well. Spiritualism turned down in the latter part of the 20th century, but attempts to use portable recording devices and modern digital technologies to communicate with spirits continued.

Early Interest

American photographer Attila von Szalay was among the first to try recording what he believed to be voices of the dead as a way to augment his investigations in photographing ghosts. He began his attempts in 1941 using a 78 rpm record, but it wasn't until 1956, after switching to a reel-to-reel tape recorder, that he believed he was successful. Working with Raymond Bayless,  von Szalay conducted a number of recording sessions with a custom-made apparatus, consisting of a microphone in an insulated cabinet connected to an external recording device and speaker. Szalay reported finding many sounds on the tape that could not be heard on the speaker at the time of recording, some of which were recorded when there was no one in the cabinet. He believed these sounds to be the voices of discarnate spirits. Among the first recordings believed to be spirit voices were such messages as "This is G!", "Hot dog, Art!", and "Merry Christmas and Happy New Year to you all". Von Szalay and Bayless' work was published by the Journal of the American Society for Psychical Research in 1959. Bayless later went on to co-author the 1979 book, Phone Calls From the Dead.
In 1959, Swedish painter and film producer Friedrich Jürgenson was recording bird songs. Upon playing the tape later, he heard what he interpreted to be his dead father's voice and then the spirit of his deceased wife calling his name. He went on to make several more recordings, including one that he said contained a message from his late mother.

Raudive voices

Konstantin Raudive, a Latvian psychologist who had taught at the University of Uppsala, Sweden and who had worked in conjunction with Jürgenson, made over 100,000 recordings which he described as being communications with discarnate people. Some of these recordings were conducted in an RF-screened laboratory and contained words Raudive said were identifiable. In an attempt to confirm the content of his collection of recordings, Raudive invited listeners to hear and interpret them. He believed that the clarity of the voices heard in his recordings implied that they could not be readily explained by normal means. Raudive published his first book, Breakthrough: An Amazing Experiment in Electronic Communication with the Dead in 1968 and it was translated into English in 1971.

Spiricom & Frank's Box

  In 1980, William O'Neil constructed an electronic audio device called "The Spiricom." O'Neil claimed the device was built to specifications which he received psychically from George Mueller, a scientist who had died six years previously.
At a Washington, DC, press conference on April 6, 1982, O'Neil stated that he was able to hold two-way conversations with spirits through the Spiricom device, and provided the design specifications to researchers for free. However, nobody is known to have replicated O'Neil's results using their own Spiricom devices. O'Neil's partner, retired industrialist George Meek, attributed O'Neil's success, and the inability of others to replicate it, to O'Neil's mediumistic abilities forming part of the loop that made the system work. However, there is strong evidence to suggest that the recordings of conversations were falsified by O'Neil, specifically with an electrolarynx. The clearly audible vocal fricatives in the recordings, along with the fact that during the hours of recordings O'Neil's and Mueller's voices never overlap (as would happen in normal conversation), support this theory. .
Created in 2002 by EVP enthusiast Frank Sumption for supposed real-time communication with the dead, Sumption claims he received his design instructions from the spirit world.
The device is described as a combination white noise generator and AM radio receiver modified to sweep back and forth through the AM band selecting split-second snippets of sound.
Critics of the device say its effect is subjective and incapable of being replicated, and since it relies on radio noise, any meaningful response a user gets is purely coincidental, or simply the result of pareidolia.

Modern Interest

In 1982, Sarah Estep founded the American Association of Electronic Voice Phenomena (AA-EVP) in Severna Park, Maryland, a nonprofit organization with the purpose of increasing awareness of EVP, and of teaching standardized methods for capturing it. Estep began her exploration of EVP in 1976, and says she has made hundreds of recordings of messages from deceased friends, relatives, and other individuals, including Konstantin Raudive, Beethoven, a lamplighter from 18th century Philadelphia, Pennsylvania, and extraterrestrials whom she speculated originated from other planets or dimensions. The term Instrumental Trans-Communication (ITC) was coined by Ernst Senkowski in the 1970s to refer more generally to communication through any sort of electronic device such as tape recorders, fax machines, television sets or computers between spirits or other discarnate entities and the living. One particularly famous claimed incidence of ITC occurred when the image of EVP enthusiast Friedrich Jürgenson (whose funeral was held that day) was said to have appeared on a television in the home of a colleague, which had been purposefully tuned to a vacant channel.
ITC enthusiasts also look at TV and video camera feedback loop of the Droste effect. In 1979, parapsychologist D. Scott Rogo described an alleged paranormal phenomenon in which people report that they receive simple, brief, and usually single-occurrence telephonecalls from spirits of deceased relatives, friends, or strangers. In 1997, Imants BaruÅ¡s, of the Department of Psychology at the University of Western Ontario, conducted a series of experiments using the methods of EVP investigator Konstantin Raudive, and the work of "instrumental transcommunication researcher" Mark Macy, as a guide. A radio was tuned to an empty frequency, and over 81 sessions a total of 60 hours and 11 minutes of recordings were collected. During recordings, a person either sat in silence or attempted to make verbal contact with potential sources of EVP. BaruÅ¡s stated that he did record several events that sounded like voices, but they were too few and too random to represent viable data and too open to interpretation to be described definitively as EVP. He concluded: "While we did replicate EVP in the weak sense of finding voices on audio tapes, none of the phenomena found in our study was clearly anomalous, let alone attributable to discarnate beings. Hence we have failed to replicate EVP in the strong sense. " The findings were published in the Journal of Scientific Exploration in 2001, and include a literature review. In 2005, the Journal of the Society for Psychical Research published a report by paranormal investigator Alexander MacRae. MacRae conducted recording sessions using a device of his own design that generated EVP. In an attempt to demonstrate that different individuals would interpret EVP in the recordings the same way, MacRae asked seven people to compare some selections to a list of five phrases he provided, and to choose the best match. MacRae said the results of the listening panels indicated that the selections were of paranormal origin. Portable digital voice recorders are currently the technology of choice for EVP investigators. Since these devices are very susceptible to Radio Frequency (RF) contamination, EVP enthusiasts sometimes try to record EVP in RF- and sound-screened rooms. Nevertheless, in order to record EVP there has to be noise in the audio circuits of the device used to produce the EVP. For this reason, those who attempt to record EVP often use two recorders that have differing quality audio circuitry and rely on noise heard from the poorer quality instrument to generate EVP. Some EVP enthusiasts describe hearing the words in EVP as an ability, much like learning a new language. Skeptics say that the claimed instances are all either hoaxes or misinterpretations of natural phenomena. EVP and ITC are seldom researched within the scientific community and, as ideas, are generally derided by scientists when asked.

Explanations and Origins

Paranormal explanations for EVP generally assume production of EVP by a communicating intelligence through means other than the typical functioning of communication technologies. Natural explanations for reported instances of EVP tend to dispute this assumption explicitly and provide explanations which do not require novel mechanisms that are not based on recognized scientific phenomena. At least one study, by psychologist Imants BaruÅ¡s, finds that EVP cannot be replicated under controlled conditions.
  • Natural Explanations
There are a number of simple scientific explanations that can account for why some listeners to the static on audio devices may believe they hear voices, including radio interference and the tendency of the human brain to recognize patterns in random stimuli. Some recordings may be hoaxes created by frauds or pranksters.
  • Psychology and Perception
Auditory pareidolia is a situation created when the brain incorrectly interprets random patterns as being familiar patterns. In the case of EVP it could result in an observer interpreting random noise on an audio recording as being the familiar sound of a human voice. The propensity for an apparent voice heard in white noise recordings to be in a language understood well by those researching it, rather than in an unfamiliar language, has been cited as evidence of this, and a broad class of phenomena referred to by author Joe Banks as Rorschach Audio has been described as a global explanation for all manifestations of EVP. Skeptics such as David FederleinChris FrenchTerrence Hines and Michael Shermer say that EVP are usually recorded by raising the "noise floor" - the electrical noise created by all electrical devices - in order to create white noise. When this noise is filtered, it can be made to produce noises which sound like speech. Federlein says that this is no different from using a wah pedal on a guitar, which is a focused sweep filter which moves around the spectrum and creates open vowel sounds. This, according to Federlein, sounds exactly like some EVP. This, in combination with such things as cross modulation of radio stations or faulty ground loops can cause the impression of paranormal voices. The human brain evolved to recognize patterns, and if a person listens to enough noise the brain will detect words, even when there is no intelligent source for them. Expectation also plays an important part in making people believe they are hearing voices in random noise. Apophenia is related to, but distinct from pareidolia. Apophenia is defined as "the spontaneous finding of connections or meaning in things which are random, unconnected or meaningless", and has been put forward as a possible explanation.
  • Physics
  Interference, for example, is seen in certain EVP recordings, especially those recorded on devices which contain RLC circuitry. These cases represent radio signals of voices or other sounds from broadcast sources. Interference from CB Radio transmissions and wireless baby monitors, or anomalies generated though cross modulation from other electronic devices, are all documented phenomena. It is even possible for circuits to resonate without any internal power source by means of radio reception. Capture errors are anomalies created by the method used to capture audio signals, such as noise generated through the over-amplification of a signal at the point of recording. Artifacts created during attempts to boost the clarity of an existing recording might explain some EVP. Methods include re-sampling, frequency isolation, and noise reduction or enhancement, which can cause recordings to take on qualities significantly different from those that were present in the original recording. The very first EVP recordings may have originated from the use of tape recording equipment with poorly aligned erasure and recording heads, resulting in the incomplete erasure of previous audio recordings on the tape. This could allow a small percentage of previous content to be superimposed or mixed into a new 'silent' recording.
  • Sporadic Meteors and Meteor Showers
  For all radio transmissions above 30 MHz (which are not reflected by the ionosphere) there is a possibility of meteor reflection of the radio signal. Meteors leave a trail of ionised particles and electrons as they pass through the upper atmosphere (a process called ablation) which reflect transmission radio waves which would usually flow into space. These reflected waves are from transmitters which are below the horizon of the received meteor reflection. In Europe this means the brief scattered wave may carry a foreign voice which can interfere with radio receivers. Meteor reflected radio waves last between 0.05 seconds and 1 second, depending on the size of the meteor.
  • Paranormal Explanations
Paranormal explanations for the origin of EVP include living humans imprinting thoughts directly on an electronic medium through psychokinesis and communication by discarnate entities such as spirits, nature energies, beings from other dimensions, or extraterrestrials.

Organizations That Show Interest In EVP

There are a number of organizations dedicated to studying EVP and instrumental transcommunication, or which otherwise express interest in the subject. Individuals within these organizations may participate in investigations, author books or journal articles, deliver presentations, and hold conferences where they share experiences. In addition organizations exist which dispute the validity of the phenomena on scientific grounds. The Association TransCommunication (ATransC), formerly the American Association of Electronic Voice Phenomena (AA-EVP), and the International Ghost Hunters Society conduct ongoing investigations of EVP and ITC including collecting examples of purported EVP available over the internet. The Rorschach Audio Project, initiated by sound artist Joe Banks, which presents EVP as a product of radio interference combined with auditory pareidolia and the Interdisciplinary Laboratory for Biopsychocybernetics Research, a non-profit organization dedicated studying anomalous psi phenomena related to neurophysiological conditions. According to the AA-EVP, it is "the only organized group of researchers we know of specializing in the study of ITC.". Spiritualists, as well as others who believe in Survivalism, have an ongoing interest in EVP. Many Spiritualists believe that communication with the dead is a scientifically proven fact, and experiment with a variety of techniques for spirit communication which they believe provide evidence of the continuation of life. According to the National Spiritualist Association of Churches, "An important modern day development in mediumship is spirit communications via an electronic device. This is most commonly known as Electronic Voice Phenomena (EVP)". An informal survey by the organization's Department Of Phenomenal Evidence cites that 1/3 of churches conduct sessions in which participants seek to communicate with spirit entities using EVP. The James Randi Educational Foundation offers a million dollars for proof that any phenomena, including EVP, are caused paranormally.

Cultural Impact

The concept of EVP has had an impact on popular culture. It is popular as an entertaining pursuit, as in ghost hunting, and as a means of dealing with grief. It has influenced literature, radio, film, and television. Investigation of EVP is the subject of hundreds of regional and national groups and Internet message boards. Paranormal investigator John Zaffis claims, "There's been a boom in ghost hunting ever since the Internet took off." Investigators, equipped with electronic gear—like EMF meters, video cameras, and audio recorders—scour reportedly haunted venues, trying to uncover visual and audio evidence of ghosts. Many use portable recording devices in an attempt to capture EVP. Films involving EVP include The Sixth SenseWhite NoiseThe Changeling. It has also been featured on television series like Ghost WhispererThe Omega FactorGhost HuntersMonsterQuestGhost AdventuresThe Secret Saturdays, and Derren Brown Investigates. Coast To Coast AM hosts George Noory and Art Bell have explored the topic of EVP with featured guests such as Brendan Cook and Barbara McBeath of the Ghost Investigators Society, and paranormal investigator and 'demonologist' Lou Gentile. The Spirit of John Lennon, a pay-per-view seance broadcast in 2006, in which TV crew members, a psychic, and an "expert in paranormal activity" claim the spirit of former Beatle John Lennon made contact with them through what was described as "an Electronic Voice Phenomenon (EVP)." Legion, a 1983 novel by William Peter Blatty, contains a subplot where Dr. Vincent Amfortas, a terminally ill neurologist, leaves a "to-be-opened-upon-my-death" letter for Lt. Kinderman detailing his accounts of contact with the dead, including the doctor's recently deceased wife, Ann, through EVP recordings. Amfortas' character and the EVP subplot do not appear in the film version of the novel, Exorcist III. In Nyctivoe a 2001 vampire-inspired play by Dimitris Lyacos the male character as well as his deceased companion are speaking from a recording device amidst a static/white noise background. In Pattern Recognition, a 2003 novel by William Gibson, the main character's mother tries to convince her that her father is communicating with her from recordings after his death/disappearance in the September 11, 2001 attacks.
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